by Julia Rymer | Jan 12, 2021 | Art Exhibition, Creative Process, Creativity, Inspiration, Jewish Studies, Painting
Flux and Flow January 19th through February 19th, 2021 Details: O’Sullivan Art GalleryFine Arts BuildingRegis University3333 Regis Blvd.Denver, CO Visiting Hours: Mondays and Wednesdays: 9 am to 5 pmFridays: 9 am to 1 pmTuesdays and Thursdays: by appointment...
by Julia Rymer | Oct 29, 2020 | Art Exhibition, Artists I Know, Creative Process, Creativity, Inspiration, Projects, Uncategorized
Phillipa Sibert at her studio in Wales. Artwork by Ingrid Bell, “No 2, Boys from the Black Stuff #1.” Painting by Makiko Berry, Kyoto, Japan. Mixed Media artwork by Philippa Sibert. Artwork by Viv Davy. Artwork by Ann Stephens. Artwork by Ingrid...
by Julia Rymer | Jul 21, 2020 | Art Exhibition, Artists I Know, Creative Process, Creativity, Jewish Studies, Uncategorized
Together/Apart PerformanTogether/Apart: In Memory of Potta Géza and Dzsuga Géza – Sound & Video Projection by Talya Feldman in collaboration with Zoë Aqua and Fenyvesi Attila Installation of “After Halle”Exhibition view from “In the...
by Julia Rymer | Apr 3, 2020 | Creativity, Inspiration, Jewish Studies
Rabbi Elazar said to Rabbi Yoḥanan: I am not crying over my misfortune, but rather, over this beauty of yours that will decompose in the earth, as Rabbi Yoḥanan’s beauty caused him to consider human mortality. Rabbi Yoḥanan said to him: Over this, it is certainly...
by Julia Rymer | Mar 22, 2020 | Creative Process, Creativity, Inspiration
We are in a new world right now. Nothing feels quite real – in fact, it just feels weird. What was important two weeks ago now seems rather inconsequential. Suddenly, we hone in on the essentials of survival: home, safety, health, family, nourishment.The world is in...
by Julia Rymer | Feb 27, 2020 | Art Exhibition, Artists I Know, Creative Process, Creativity, Inspiration, Painting, Projects
In early 2019, I decided it was past time to delve into a media I had been wanting to explore for years, but had not allowed myself to do. My reticence was that it would take me away from my painting practice. But my residency in Wales provided me with the permission...
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